Archives for category: Philosophy

Again let us reflect on the similarities between existentialist philosophy and cheesy Dad Rock.  Human beings are often brought to question who we are and what lies ahead through the unimaginative and repetitive lyrics sung to us by the unnecessarily emotive vocals of the Dad Rock genre, and it is none other than Here I Go Again by Whitesnake that causes us to reflect on the depressing, whiny philosophy of the sad and lonely Jean-Paul Sartre.

The singer starts off by emphasizing Sartre’s greatest contribution to the realm of philosophy: the notion of the duality of freedom. Not knowing where one is going shows us that the future is one endless potential of freedom. We can choose literally any path before us, but also we know where we’ve been, so there is also the binding nature of the past which one must take into account. There is no freedom in the past, and by hanging on to the songs of yesterday, it seems the singer was living in bad faith by embracing just the one aspect of the two sides of freedom. Luckily, he’s now made up his mind, and seems to have broken free of his bad faith and now chooses to embrace the entirety of his freedom.

Next, the singer expresses the morality of the existentialist thinker. As there is no truth, one will never be able to find what they’re looking for; however, in order to be moral, one must keep searching for an answer. To live in this anxiety is to be a moral being, and as Sartre often points out, as does Whitesnake, it is a tough way to live, and the singer asks the Lord for the strength to carry on to live as a moral being, and not to slip into nihilism.

The chorus of the song of course refers to Sartre’s rejection of the Other. The singer realizes that in any kind of social interaction, it is a battle between two individual Selves to turn the other into an object, while maintaining their own free will. Whitesnake recognizes that one can either abandon their Self to become the object their opponent wishes them to be, or to subjugate the other person to become the object of their own perception. The singer, like Sartre, chooses to go on their own, to walk alone, rather than face the hell that is other people.

Whitesnake recognizes the importance of embracing the depressingly lonely philosophy of Sartre, and has made up their mind, and chooses not to waste any time in diving right into a life of cold, hard, bitter misery and despair following the lonely street of dreams. Here they go again. Here they go again.

People generally believe that to kill a zombie is a perfectly reasonable action and even a moral imperative. The undead are a scourge that must be wiped off the earth. But has anyone sat down and wondered if the undead deserve a shot at unlife?

Many, if not all, religions believe in some form of afterlife. Be it one or many, physical rebirth or spiritual, most religions agree that there is more to life than this empirical realm.

In Christianity, the body is physically ressurected, which means that the body that you currently reside in will be the body that you inhabit in the afterlife. There is debate as to whether you will be at your prime, or at the age when you die, but the Bible is specific that it is your physical form that is ressurected. Is it possible that the physical ressurection prophesized in the Bible is none other than zombification? Zombies are considered one of the conceivable ends of the world, and the return of Christ is also the herald of the apocalypse. Could these two scenarios be one and the same? And if so, would depriving someone of their divine reward be considered ethical? I would argue that it is not. It is never understood the mindset of a zombie, but perhaps rending flesh from bone and devouring the innards of another human being creates divine ecstacy in these undead children of God. Who are we to deny God’s gift?

In Buddhism, there is are several stages of rebirth. Being born a human is the greatest, as it is only as a human that we are able to achieve Nirvana. Another stage is to be reborn as a Hungry Ghost. This is a creature that has a constant need to feed, and will never be satiated. Is it possible that Zombies are in fact the Hungry Ghosts incarnate? Creatures who are cursed to burn off their Karma as these demons. It is considered immoral to kill Beasts, another stage of rebirth, so would not killing a Hungry Ghost count as immoral as well?

The Jains are another Indian religion that believes in rebirth as well as Karma. Jainism celebrates almost excessive forms of non-harm; some of them going so far as to sweep the ground in front of them to avoid stepping on any bugs. We hear of extremist religious fanatics causing death and destruction, whereas an extremist Jain will, near the end of his life, retreat into the forest and wait to die, so as to avoid harming even the plants that he or she would need to continue living. As bizarre as this might seem to a Western audience, it could easily be argued that this is the most objectively moral lifestyle that a person could endeavour towards. In the context of a zombie apocalypse, I would argue that the equivalent of seclusion until death would be to willingly embrace being devoured alive by zombies.

So as we can see, religious belief in ressurection is possibly linked to a zombie uprising. All religions have their own unique views on the subject, but the one thing in common is the ressurection of the person in one form or another. Being that this is the case, it is quite possible that a zombie apocalypse is one unifying eschatology that even secular humanists can get behind. Considering the religious nature of ressurection however, and how it seems to be the ultimate form of humanity, I would say that it is immoral to kill a zombie, and were a zombie outbreak to occur, the only moral course of action would be to embrace it.

One might not initially make the connection between rock and roll and borderline sociopathic existentialist philosophers, but upon further reflection one might begin to see more and more this outlook being expressed through song.  In this instance, the song Free Bird by Lynyrd Skynyrd.

The beginning of the song, where the singer states that he must be traveling on now as there are too many places that he’s got to see, shows the higher man’s dedication to his unifying project, in this case traveling.  The singer even sees those around him instrumentally to his project, such as the girl with whom the singer chooses not to stay.

The band’s song states positively that they cannot change, even with the help of the Lord.  This acceptance and embracing of being bound in their fated prison gives them an overman perspective, allowing them to truly be free. This paradox of the free bird being bound by the inability to change personifies Nietzsche’s paradox of the overman being bound to his strong personality, but being free to be who he is without restraint.

The symbolism of the bird gives rise to the notion that instead of being a part of the land-bound herd, the singer is flying high above, having ascended into the overman state. Being this “Free Bird” allows the singer to escape nihilism through sick guitar solos that melt your face off.

In conclusion, I’m doing this instead of writing the actual existentialist paper that I’m supposed to be working on.

http://www.youtube.com/watch?v=np0solnL1XY